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    <title type="text">Culture Making Articles items tagged 18th century</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>To Winter, by William Blake</title>
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      <id>tag:culture-makers.com,2025:author/1.1765</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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      <content type="html"><![CDATA[
        
			
			
			

			<b>Nate: </b><em>?I've always had a soft spot for this poem, one of the set Blake wrote for the four seasons. Maybe it's the word adamantine's  magnetic lure and <a href="http://en.wikipedia.org/wiki/Adam_Ant">post-punk allusions</a>, but I really love the iron car, which I imagine as a used and battered 1980s Chevy Suburban.?</em><br />

<div class="author" style="font-size: -1">"To Winter," by William Blake, from <a href="http://books.google.com/books?id=uF8CAAAAQAAJ&dq=%22poetical+sketches%22+site:books.google.com&printsec=frontcover&source=bl&ots=Z1RcZCJxsP&sig=l86Kt193Dj9GCuve3H81lcUdl0s&hl=en&ei=CecvS_3YII7isQPd7-HWAw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CAgQ6AEwAA#v=onepage&q=&f=false"><i>Poetical Sketches</i></a>, 1783</div><hr />		
		<p>O Winter! bar thine adamantine doors:<br/>
The North is thine; there hast thou built thy dark<br/>
Deep-founded habitation. Shake not thy roofs,<br/>
Nor bend thy pillars with thine iron car.</p>
<p>He hears me not, but o&#8217;er the yawning deep<br/>
Rides heavy; his storms are unchained, sheathed<br/>
In ribbed steel; I dare not lift mine eyes;<br/>
For he hath reared his sceptre o&#8217;er the world.</p><p> 
Lo! now the direful monster, whose skin clings<br/>
To his strong bones, strides o&#8217;er the groaning rocks:<br/>
He withers all in silence, and in his hand<br/>
Unclothes the earth, and freezes up frail life.</p>
<p>He takes his seat upon the cliffs,—the mariner<br/>
Cries in vain. Poor little wretch, that deal&#8217;st<br/>
With storms!—till heaven smiles, and the monster<br/>
Is driv&#8217;n yelling to his caves beneath Mount Hecla.</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>Man on Flying Machine, by Yinka Shonibare</title>
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      <id>tag:culture-makers.com,2025:author/1.1509</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?The Nigerian-British artist Yinka Shonibare has made a whole fascinating series of race/class remix sculptures featuring mannequins of 18th-century European dandies dressed in period clothing cut from "African" Dutch-wax fabrics (made in Manchester and the Netherlands, purchased by the artist in Brixton Market, London). He's currently got a big exhibition up at the <a href="http://www.brooklynmuseum.org/exhibitions/yinka_shonibare_mbe/">Brooklyn Museum</a>.?</em><br />
		
		<a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/"><img src="http://www.culture-making.com/media/e3154742.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/">Man on Flying Machine</a>" (2008), by Yinka Shonibare, <a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/">James Cohan Gallery</a> :: via <a href="#">Daily Serving</a></div>		
	
			
			
			

		
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